So, Torchwood finished last week and as the show reached its climax, the complaints on this blog slowed to a trickle. Whether that’s because people lost interest or started to get drawn into it, it’s hard to say, but from my point of view – whilst the show didn’t reach the heights of Children of Earth – it was good (I’m not the only one that thinks so).
There’s always a challenge for writers when they decide to ‘reboot’ a show (or, as in this case, are forced to by funding circumstances), and the benefit of shows like Dr Who and even Star Trek – is that when they are rebooted, fans know what to expect. That’s not meant to be the same Doctor, or the same Captain Kirk; the settings are different, the context is different, the cast is different. In this case, Captain Jack and Gwen brought continuity and expectation with them, and so many loyal fans, it seems, found the changes a bridge too far.
I have to admit, as someone that is a big fan of American TV, I’m totally baffled as to some of the criticisms leveled at the show; it was too "Americanized"? Really? Why do you think Spooks, Doctor Who, etc., have got more exciting over the years – because they’ve ignored the conventions of American TV production? I’d argue the opposite is true; the episode lengths dictated by most American TV, the scheduling, all of it – has forced British serial writers to think beyond six episodes to longer story arcs, and learn how to tell stories within the stories.
I’ll freely admit Miracle Day wasn’t perfect. Elements of it were slower moving than they needed to be; the episodic sub-arcs didn’t grip and the overall ‘crisis’ only made marginal sense (which is par for the course with Torchwood, but when you’ve waited ten episodes for the climax… you expect more!), but it seems (and this is reflected in a few of the comments) to have been successful at drawing a new audience in. So perhaps it did what it was designed to do.
We don’t know if there’ll be a season 5 yet, but for more insights into the show production, have a read of this interview with Jane Espenson, one of the writer/producers on the show with Russell T Davies, and a longtime cohort of Joss Whedon. I’m hoping there’ll be more.